Showing posts with label Isaac Bashevis Singer. Show all posts
Showing posts with label Isaac Bashevis Singer. Show all posts

Tuesday, February 14, 2012

Review: Hope: A Tragedy

  SHALOM AUSLANDER: HOPE: A TRAGEDY
Depending on your outlook, life can seem a wonderful gift or a cruel joke. Solomon Kugel, the main character in Shalom Auslander’s latest novel, definitely belongs to the latter category.

Kugel is married to Bree and they have a son, Jonah. Kugel has moved his family, including his mother, to the small town Stockton. Kugel wants to live a place where nothing happens, or has ever happened. Just such a town is Stockton, and that is the only reason Kugel has chosen it for his family’s new home.

He’s very concerned with death, dying words, and epitaphs. A natural result of his mother’s obsession with the Holocaust. She talks and acts as if she has experienced horrible things, and lost most of her family to the concentration camps. This is to say the least a moderation of the truth, which is that most of the Kugel family has been living in America, safely, for generations.

To make things worse, Kugel finds a filthy and slightly crazy looking camp survivor who’s been living in the attic. She insists that she’s Anne Frank, and now he can’t bring himself to throw her out. Slowly his life begins to rip at the seams.

There is certainly a lot going on in Auslander’s novel. Both thematically and story wise. Dark humor permeates the text throughout:

Mother was alive if she sounded like she was dying; if she sounded like she was peacefully sleeping, then she was probably dead.

Kugel’s observations are funny and sad at the same time. In many ways he’s a gray and broken man. He indulges his mother’s constant lies and accepts the fact that his life’s been one long marathon of suffering. A childhood consisting of a constant barrage of books and documentaries on the Holocaust and the camps. When his sister inadvertently reveals a truth about their father he gives up the argument without much fight. His behavior is infuriating and hilarious at the same time.

Auslander is a brave man in his tackling of subjects that in many ways are taboo in the Jewish community. The comparisons of suffering is a theme that goes back to old Yiddish jokes and folk tales. It is a part of the Jewish self-perception in many ways, and the way it occurs in this novel is both poignant and a scathing satire at the same time.

Guilt is another important component of the novel and Kugel sees the birth of his son as one of his biggest transgressions. His descriptions of the guilt he feels are heartbreaking in their revelation of his worldview. They are also quite humorous.

Jonah was beautiful and innocent and pure, so Kugel felt terrible guilt for bringing him into this world. To father a child was a horribly selfish act, a felony, in fact - everyone here in this world is a kidnap victim from some better place, or no place at all, and Jonah had been dragged here, by Kugel and Bree, against his will, without provocation, without consent, without any good goddamned reason whatsoever beyond their own selfish desires.


The title of the novel is tied to Kugel’s behavior throughout the novel. The consequences of the human race having hope is given a unique and interesting perspective in the sessions Kugel has with his psychiatrist Professor Jove.

We are rational creatures, Professor Jove explained; hope is irrational. We thus set ourselves up for one dispiriting fall after the next. Anger and depression are not diseases or dysfunctions or anomalies; they are perfectly rational responses to the myriad avoidable disappointments that begin in a thoroughly irrational hope.

Jove goes on to describe Hitler, Mao, Stalin and Pol Pot as hopeful persons that took their hope to the most extreme and thereby caused catastrophes for the many people of their time.

Auslander’s writing both in style and subject matter is very reminiscent of the writings of Arthur Schopenhauer. Auslander seems to be echoing and taking inspiration from his Studies in Pessimism in particular, a brilliant collection of essays that are available on Project Gutenberg for free. Penguins has also released a short collection of his writings in the Great Ideas series called On the Suffering of the World.

Auslander succeeds in placing himself in a long line of distinguished Jewish authors. There are lines to be drawn to Isaac Bashevis Singer, Sholem Aleichem and many others. At the same time he manages to write a novel bursting with originality, and a worldview one seldom encounters in modern literature. The honesty and bravery with which Auslander describes life is a testament to his unique abilities as a storyteller.

Sunday, August 8, 2010

Summerhouse

I've been spending the weekend in the summerhouse, and as always I come more than adequately prepared. Two bags filled with books, since I find that a nice selection to choose from makes the whole reading experience more enjoyable.

Last night I finished reading a biography on the Danish author Tove Ditlevsen written by Karen Syberg. To say that Ditlevsen had a rough and sad life would be the understatement of the century. Interestingly enough, as with so many of the great artists, her writing is at its very finest whenever she hits a rough patch. It wasn't even my intention to start on that particular book right now, but while visiting my parents last weekend I saw the book, and started reading in it, during a quiet moment in their backyard. And thus my interest was sparked. My mum had discarded the book, for the time being, due to the very depressing nature of the text. That never stopped me though. Having only read a couple of Ditlevsen's books and some of her poetry it was fascinating to get a guided introduction to not only her life, but also her work. Syberg does a great job of showing how events in Ditlevsens life gets transformed into literature. The book has pictures throughout and it is heartbreaking to see how this once beautiful woman was completely deteriorated by her fifties. The book manages at the same time to include a portrait of the times in which Ditlevsen grew up and came to the height of her popularity. After having finished reading the biography, I've begun reading Ditlevsen's own books. Stocking up at my local library during the week, knowing that I would want to immerse myself in them after finishing Syberg's book.

As always I'm reading several books at the same time. The Plague of Doves by Louise Erdrich is another one I'm reading right now. I haven't heard of Erdrich before, and the reason I picked this particular book up, was an author recommendation on the cover. Normally I don't go by these famous people recommendations as a barometer for picking books, but when Philip Roth says, "This is Erdrich's dazzling masterpiece - her imaginative freedom has reached its zenith" I listen. I'm a little stuck at the moment. She's playing around with her narrators, something I usually find interesting, but for some reason her way of doing it isn't working for me. I'll finish it in the next couple of days though. I've come to far to stop now. But I'm seriously reconsidering my decision of listening to Roth.

Another book I just finished that also has an interesting way of shuffling narrators is Invisble by Paul Auster. By far one of his most powerful books, and a story that in many ways was startlingly original. A story of a young man, dreaming of becoming a poet, who witnesses an act so violent and ruthless it changes his life forever. The structure of the book is brilliant and I plan to read it once more to really appreciate what Auster achieves. I wish I could say more, but feel as though it would ruin the book. Needless to say, it goes places I would never have imagined, and I'm thankful for that.

Yesterday I went to the local bookstore here by the summerhouse. It's a very small store, and it has a very small selection of new books. What's interesting, though, is that like a hidden treasure chamber, they have a small back room filled with used books of all kinds. As always I never have enough time when browsing through shelves filled with books. This being a small town the stores close early, and as closing time ticked nearer, I seriously considered ripping random books off the shelves and just going for it. I composed myself though, and ended up leaving with nine books. Among the more interesting acquisitions was a handbook on making 8mm films released by Kodak here in Denmark. The book does not credit any author, and was released in 1940. It's a gorgeous hardcover book that gives a fantastic and detailed description of the whole movie making process. This is why rummaging through a large amount of boring books is worthwhile.

Among the other titles I got was a translation of a short story collection by Ivo Andrić called Torso, released in 1966, and Enemies: A Love Story by Isaac Bashevis Singer in a paperback edition from 1980. This together with some essay collections and a couple of travel books from the fifties was my find this time.